Best! by
This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian-American artists, curators, educators, art historians, editors, writers, and designers. The form of the letter offers readers intimate insights into the complexities of Asian American experiences, moving beyond the model-minority myth. Chronicling everyday lives, dreams, rage, family histories, and cultural politics, these letters ignite new ways of being, and modes of creating, at a moment of racial reckoning.
Debi Cornwall: Necessary Fictions by
From the author of Welcome to Camp America, an eerie exploration of America's performance of power and identity in the post-9/11 era
What are the stories we tell ourselves, the games we play, to manage unsettling realities? Made on ten military bases across the United States since 2016, Necessary Fictions documents mock-village landscapes in the fictional country of "Atropia" and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios.
Hafiz by
"Sabiha Çimen spent three years photographing Girl Quran Schools in five cities in Turkey, a subject that she knows well since she attended the same schools when she was a teenager with her twin sister. After becoming a photographer, she returned to those schools to work on her project that has now become the subject for her first book. The title Hafiz refers to one who has memorized all 604 pages of the Holy Quran. Historically the task of memorization began during the time of Muhammad. The individual process can take up to four years and is usually done by girls ranging in age from eight to nineteen. Turkey has thousands of Quran schools." -- Provided by publisher
In and Out of Design by
Over the course of a 30-year career, graphic designer Takaaki Matsumoto has created award-winning publications for clients that include artists, museums, educational institutions and retailers. In and Out of Design showcases projects-ranging from simple logotypes to museum publications to complex visual communications systems-that presented particular design challenges, and records how a solution was finally arrived at.
Klara and the Sun by
"From her place in the store that sells artificial friends, Klara--an artificial friend with outstanding observational qualities--watches carefully the behavior of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara she is warned not to invest too much in the promises of humans. In this luminous tale, Klara and the Sun, Nobel Prize winner Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?"-- Provided by publisher.
A New Culture of Energy by
In A New Culture of Energy, Luce Irigaray reflects on three critical concerns of our time: the cultivation of energy in its many forms, the integration of Asian and Western traditions, and the reenvisioning of religious figures for the contemporary world. A philosopher as well as a psychoanalyst, Irigaray draws deeply on her personal experience in addressing these questions. In her view, although psychoanalysis can succeed in releasing mental energy, it fails to support physical and spiritual well-being. In pursuit of an alternative, she took up the bodily practices of yoga and pranayama breathing, which she considers in light of her analysis of sexuate belonging and difference. Reflecting on these practices, Irigaray contrasts yoga's approach to the natural world with how the Western tradition privileges mastery over nature. These varied sources provoke her to question how a tradition imagines transcendence and the divine. In the book's final section, she reinterprets the figure of Mary through breath, self-affection, and touch, recalibrating her physicality within a natural world. A reflection on the liberation of human energy, this book urges us to cultivate an evolutionary culture in harmony with all living beings.
Obit by
"After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living"-- Provided by publisher.
Past in Reverse Contemporary Art by
"Past in Reverse: Contemporary Art of East Asia brings together the work of twenty-two established and emerging artists and artists' groups from mainland China, Taiwan, Hong Kong, Japan, and South Korea. Displaying a broad range of strategies and trends in East Asian are today, the works also reveal a variety of methods by which these artists access the traditions and forms of the past to address contemporary conditions. Influences of past and present, East and West, merge within the interrelated cultural identities that define the globalized world."--BOOK JACKET.
They Called Us Enemy by
"A stunning graphic memoir recounting actor/author/activist George Takei's childhood imprisoned within American concentration camps during World War II. Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love. George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future. In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten 'relocation centers', hundreds or thousands of miles from home, where they would be held for years under armed guard. They Called Us Enemy is Takei's firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother's hard choices, his father's faith in democracy, and the way those experiences planted the seeds for his astonishing future. What is American? Who gets to decide? When the world is against you, what can one person do?"--Provided by publisher.
Tradition Transformed by
Contemporary Korean ceramics
The Art of Indonesian Textiles by
This volume showcases over 70 remarkable examples of Indonesian textile art, a recent gift to the Art Institute from the E.M. Bakwin Collection.
Asian American Art by
Foreword : emerging from the shadows : the visual arts and Asian American history / Gordon H. Chang -- Uncovering Asian American art in San Francisco, 1850-1940 / Mark Dean Johnson -- Hidden in plain sight : Little Tokyo between the wars / Karin Higa -- Facing the Pacific : Asian American artists in Seattle (1900-1970) / Kazuko Nakane -- The tip of the iceberg : early Asian American artists in New York / Tom Wolf -- Deployments, engagements, obliterations : Asian American artists and World War II / Gordon H. Chang -- The wind came from the East : Asian American photography, 1850-1965 / Dennis Reed -- Pioneers, renegades, and visionaries : Asian American women artists in California, 1890s-1960s / Valerie J. Matsumoto -- Chinese artists in the United States : a Chinese perspective / Mayching Kao -- Postwar California : Asian American modernism / Paul J. Karlstrom -- Art and social consciousness : Asian American and Pacific Islander artists in San Francisco, 1965-1980 / Margo Machida.
The Asian American Avant-Garde by
The Asian American Avant-Garde is the first book-length study that conceptualizes a long-neglected canon of early Asian American literature and art. Audrey Wu Clark traces a genealogy of counter-universalism in short fiction, poetry, novels, and art produced by writers and artists of Asian descent who were responding to their contemporary period of Asian exclusion in the United States, between the years 1882 and 1945.
Calling a Wolf a Wolf by
""The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection." -Fanny Howe. This highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight. From "Stop Me If You've Heard This One Before": Sometimes you just have to leave whatever's real to you, you have to clomp through fields and kick the caps off all the toadstools. Sometimes you have to march all the way to Galilee or the literal foot of God himself before you realize you've already passed the place where you were supposed to die. I can no longer remember the being afraid, only that it came to an end. Kaveh Akbar is the founding editor of Divedapper. His poems appear recently or soon in The New Yorker, Poetry, APR, Tin House, PBS NewsHour, and elsewhere. He is the author of the chapbook Portrait of the Alcoholic (Sibling Rivalry). The recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America, Akbar was born in Tehran, Iran, and currently lives and teaches in Florida"-- Provided by publisher.
Culture Strike by
"In an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders) - to say nothing of demonstrations over exhibitions and artworks - have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture. As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy - she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence. In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends."--Dust jacket.
Diversity in Disney Films by
"This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, exploring not only race and gender, but also newer areas of study. Covering a wide array of films this compendium highlights the social impact of the entertainment giant and reveals its cultural significance in shaping our global citizenry"--Provided by publisher.
English Is Broken Here by
The author, Coco Fusco, spoke in the Current Perspectives lecture series at the Kansas City Art Institute. Pepon Osorio was also a speaker for the Current Perspectives lecture series.
Includes bibliographical references (p. [197]-201) and index.
Essays, performance scripts, and interviews by one of America's emerging art critics.
Ghost Of by
Ghost Of is a mourning song, not an exorcism or un-haunting of that which haunts, but attuned attention, unidirectional reaching across time, space, and distance to reach loved ones, ancestors, and strangers. By working with, in, and around the photographs that her brother left behind (from which he cut himself out before his death), Nguyen wrestles with what remains: memory, physical voids, and her family captured around an empty space.
The Inner Work of Racial Justice by
Law professor and mindfulness practitioner Rhonda Magee shows that the work of racial justice begins with ourselves. When conflict and division are everyday realities, our instincts tell us to close ranks, to find the safety of our own tribe, and to blame others. The practice of embodied mindfulness--paying attention to our thoughts, feelings, and physical sensations in an open, nonjudgmental way--increases our emotional resilience, helps us to recognize our unconscious bias, and gives us the space to become less reactive and to choose how we respond to injustice. It is only by healing from injustices and dissolving our personal barriers to connection that we develop the ability to view others with compassion and to live in community with people of vastly different backgrounds and viewpoints. Incorporating mindfulness exercises, research, and Magee's hard-won insights, The Inner Work of Racial Justice offers a road map to a more peaceful world.
Jun Kaneko by
Jun Kaneko, born in 1942 in Nagoya, Japan, and based in Omaha, Nebraska, since 1986, is revered for his role in establishing modern ceramic art, yet he has been equally prolific in a range of other media. This book offers an entirely new and detailed survey and analysis of nearly six decades of Kaneko's work in ceramics, drawing, painting, installation art, and opera design. Tracing the career of this dynamic artist from his early training and subsequent association with the pivotal California Clay Movement to his important public commissions and philanthropic concerns of the present, it focuses in particular on the past twenty years, which have previously not been the subject of a comprehensive volume. Drawing extensively on interviews he has conducted with Jun Kaneko since 2002, Glen R. Brown reflects on the principal concepts that have shaped Kaneko's art, situating them in the space between a Japanese Shinto ethos and the aesthetic tenets of Western art in formal and Post-Painterly Abstraction. These concepts provide context for in-depth discussion of Kaneko's art, from the colossal glazed-ceramic Dangos to the sensitive coloristic stage and costume designs for Madama Butterfly, The Magic Flute, and Fidelio. From these, a fascinating picture emerges of Kaneko's unique, relentlessly self-sustaining creative process and the multiple conceptions of space that inform it. Featuring two hundred color illustrations and substantial information not previously available in published form, this book offers an up-to-date definitive critical survey of this important artist's life and work.
Make and Mend by
Requiring no special equipment other than a sewing needle and thread, Make and Mend introduces the incredibly simple technique of sashiko--a striking hand-sewing method using a running stitch to form pleasing geometric patterns. Sashiko is traditionally used to mend and repair clothing and textiles, but it can just as easily be used to create beautiful, decorative projects for the home. With fifteen projects applying a modern, on-trend aesthetic to this ancient craft, Make and Mend shows readers how to apply sashiko stitching to a variety of craft projects, such as repairing torn jeans, mending a ripped hem, and making decorative pillows, napkins, a tablecloth, and a totebag. Touching on the concepts of beauty in minimalism and resourceful simplicity, as well as a fascination with Japan and Japanese design, this easy and accessible book appeals to both the seasoned maker and total beginner.
Not Quite Not White by
A first-generation immigrant's exploration of race and assimilation in the United States, an American's journey into the heart of not-whiteness. Part memoir, part manifesto, Not Quite Not White is a searing appraisal of race and a path forward for the next not quite not white generation - a witty and sharply honest story of discovering that not-whiteness can be the very thing that makes people Americans.
One Way or Another by
Contemporary Asian American artists--with a strong sense of being American and an acute critical consciousness of world matters--grapple with issues of identity in a way that sets them apart from their predecessors. Whereas many Asian American artists of a previous generation directly referred to an Asian sense of self in their works, it can be argued that younger Asian American artists only sometimes make reference to it or omit it entirely.
The Propeller Group by
The Propeller Group--an artist team made up of Phunam, Matt Lucero and Tuan Andrew Nguyen, and based in Ho Chi Minh City, Vietnam--blurs the boundaries between fine art and media production, in much the same way that this publication blurs the boundaries between a traditional exhibition catalogue and an artist's book. The publication features essays by curators Naomi Beckwith and Cesar Garcia, as well as contributions by each of the members of The Propeller Group: Nguyen pens an obituary for the group that pays homage to Vietnamese funereal celebrations, Phunam shares an astrological reading and Lucero creates a travelogue that records the group's recent exploration of Papua New Guinea.
Shahzia Sikander by
Pioneering Pakistani American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting miniature painting to explore gender roles and sexuality, cultural identity, racial and other underrepresented narratives, and colonial and postcolonial histories. This lively volume presents her powerful early work, created between 1987 and 2003, from South Asian, West Asian, and Western perspectives, illuminating new understandings for a wide audience. Charting her early development as an artist in Lahore and the United States, the book reclaims her critical role in bringing miniature painting into dialogue with contemporary art, especially in Pakistan, international art discourse of the 1990s, and contemporary global practices and debates. Exhibition: RISD Museum, Providence RI, USA
The Ungrateful Refugee by
In her first work of nonfiction, winner of the 2018 UNESCO City of Literature Paul Engle Prize Dina Nayeri--an author whose "exploration of the exile's predicament is tender and urgent" (The New Yorker)--examines what it means to be a refugee through her own story of childhood escape from Iran, and through the stories of other refugees and asylum seekers.
What is it like to be a refugee? It is a question many of us do not give much thought to, and yet there are more than 25 million refugees in the world. Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel-turned-refugee-camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials. Nayeri confronts notions like "the swarm," and, on the other hand, "good" immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis.
Unsettled Visions by
"In Unsettled Visions the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins and intent behind bodies of their work. Analyses of the work of individual artists are grouped around three of the major themes that Asian American artists engaged with during the 1990s: representations of the other; social memory and trauma; and migration, diaspora, and a sense of place."--Jacket.
War Baby / Love Child by
War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of "optional identity," this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.
When Home Won't Let You Stay by
"In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers-including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others-hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won't Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration."--Dust jacket.
Where the Truth Lies by
Focusing on the 16th-century Chinese painter Qiu Ying, this book showcases the artist's influence and contributions to Ming dynasty painting.
Celebrated for his masterful brushstrokes, depictions of nature, and use of translucent blue-green pigments, Qiu Ying is the least known of the four Ming Dynasty masters of the Wu School
Zhang Huan by
Zhang Huan has emerged as one of the most important artists of the past decade, a fearless explorer of the limits of the human body and a key figure in the flourishing Chinese art scene. His earliest performances, including 12 Square Meters, 65 Kilograms, and To Raise the Water-Level in a Fishpond, subjected his body to grueling tests of endurance while addressing the relationship between physical endurance and spiritual tranquilit